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I slogged faithfully through this...it has been praised from there to here and everywhere, after all...but towards the end I laid it down & I just couldn't finish it. And that is a rarity for me.
I think the book lacks a true FOCUS. Perhaps the author is a good writer, perhaps the subject seems interesting, but somehow it never seemed to come together. And I am disappointed because I really wanted to like this book.
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I'll be honest with you. I couldn't finish this book. It's though refreshing and draws a great deal of westerners' attention to the oppressive Iranian society and regime but hey the author has written a very boring book. Maybe because I know the Iranian society pretty well and therefore the book is boring to me. I am not sure but I have heard three of my friends (Canadians and Americans) who read this telling me that they had a hard time understanding this book or how boring it was. But all in all, this book was/is a necessary one to shed light on the problems of the Iranian society. 3 out of 5 stars
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The delivery time was excellent. I gave this as a gift, so I can't comment on the product.
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It took forever for me to start this book because I didn't think I would like it. However, It was extremely well-written...I thought that the weaving of the history of Tehran with the story of the girls/women in the book club with the review of the books (the great gatsby, Lolita, and Daisy Miller) was done so seemingly effortlessly. I felt like I was learning so much about all three topics and was fascinated by each.
When I read this book, I was going through a very tough time at work...undergoing alot of institutional injustice. This was the perfect book to read during that trying time...I think it helped me to see that people can live inside of a world of injustice and ridiculous, illogical rules and still find art and beauty and love and friendship and that in some ways these things are cultivated more fully by repression and tragedy.
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Reading Lolita in Tehran is one of the most beautifully written books I have read. Full of lines such as "Life in the Islamic Republic was as capricious as the month of April, when short periods of sunshine would suddenly give way to showers and storms."
Another one I liked is: "A novel is not an allegory... It is a sensual experience of another world. If you don't enter the world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is the heart of a novel. This is how you read a novel: you inhale the experience. So start breathing."
She uses this logic with her own writing, drawing you in to revolutionary Iran. Deftly comparing and contrasting nightmarish, totalitarian scenes of the Islamic Republic's `morality guards' that feel like something straight out of 1984 with scenes and analysis from novels as diverse as Lolita and The Great Gatsby.
A very enjoyable and one of a kind book.
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